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The set of 4 shell motif arrived in European decorative arts long before Botticelli painted Venus, ultimately popularised by the ceramic workshops ...
View full detailsHand-painted in Portugal, a wreath of pink and blue blooms winds around the rim — each flower placed by hand, no two quite meeting in the same way....
View full detailsFine European earthenware bowl designed in our Chelsea studio and made in Caldas da Rainha — the fan shell rim and bold green botanical that have m...
View full detailsThe spinning green fronds and hand-dotted cobalt rim of Caldas da Rainha stretched across an oval — a form that has been carrying food to the centr...
View full detailsThe gold-scaled trunk and green fronds of Caldas da Rainha's most well-travelled motif, on a side plate where two pink blooms hold the rim like boo...
View full detailsThe same spinning green fronds and hand-dotted cobalt rim that have been turning on Portuguese wheels since the eighteenth century — on a side plat...
View full detailsA hand-painted oval serving platter designed in our Chelsea studio and handmade in Caldas da Rainha — the fan shell running the full scalloped rim ...
View full detailsA set of 4 plates
A set of 4 Fine European earthenware side plate from hand painted in Caldas da Rainha — the trailing vine of dark leaves and pale blue-green stem r...
View full detailsA set of 4 hand-painted dinner plates from Caldas da Rainha — sweeping green fronds fanning from a single cobalt centre, ringed by a border of hand...
View full detailsA set of 4 hand-painted breakfast bowl from Caldas da Rainha — a single trailing vine in pale blue-green carrying dark pointed leaves around the fu...
View full detailsA fine set of 4 European earthenware dinner plates from Caldas da Rainha — a dense border of dark green fan motifs running the full rim, each one p...
View full detailsHand-woven in Nariño from natural iraca leaf — a basket that holds bread at dinner, keys by the door, and the small accumulation of a life lived at...
View full detailsThe original Suzani was ceremonial — large, heavily worked, made to mark an occasion and then folded away. The women embroidering in Jaipur today k...
View full detailsSince they were first documented in the 1400s, the colours of the landscape has been the inspiration for suzani. In this case, the technique is tra...
View full detailsHand-woven in Colombia from iraca leaf — a diamond weave at the centre, coiled green spirals marking the border, every strand placed by hand in a t...
View full detailsHand-coiled in Nariño from iraca leaf steeped in indigo — each ring from this set of 4 takes a skilled weaver a full day, the diamond weave pulled ...
View full detailsViolet has been the most coveted colour in glass since the Venetians discovered it sometime in the fifteenth century. This set of 8 glasses is the ...
View full detailsHand-blown in Mallorca from clear glass rolled across fragments of pink confetti glass — each piece fused into the surface at 1100 degrees, caught ...
View full detailsThe Suzani stitch began as a bridal tradition — women from Persia and Uzbekistan embroidering cotton or silk to create a valuable dowry. It moved s...
View full detailsThere is a reason the blue stripe have always dressed the best rooms in Britain. It is the same reason it is the mainstay of the textile workshops ...
View full detailsHand-woven in Nariño from natural iraca leaf, a pair of scalloped vase that holds dried stems, loose botanicals, or simply the particular beauty of...
View full detailsHand-coiled from sun-dried iraca leaf in the high valleys of Nariño — each napkin ring taking a skilled weaver the better part of a day to complete...
View full detailsHand-woven in Nariño from natural iraca leaf — a pair of hurricane holders that protect a flame from everything except the particular quality of li...
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